Biography Gulnar Dusmatova

The star of the “Crossroads” became a grandmother in the “Story of one Rolling” March 21, Konstantin Kozlov for the “History of one Roll,” Gulnar Dusmatova “gave birth” to the grandson, but she was not offended. The People's Artist of the Republic of Kazakhstan intends to prove that grandmothers also deserve to be the main characters on the screen! Did you still have a role left?

Given the complex history of our cinema, especially recent years, I would like to ask a question differently. From what you have already played at the moment, is there a role that is closest to the role-lame? Unfortunately no. And it seems to me that this does not happen in principle. The dream is always the dream that it is unattainable. It should be such a shock for me.

When they feel that I can, it begins to feel even a little more as a director than it seemed to them, then I can also do everything possible.

And sometimes it seems to me that I am exhausting my entire potential. For example, on a specifically taken scene. Imagine you need to play the loss of a loved one. Here you need to give up exactly. Just letting a tear is not enough. To convey this pain, it needs to be tested. And for this you need to use all your capabilities, because it is not possible to do one left. We have to use all your arsenal of feelings, emotions, acting skills.

But it seems to me that I have it, because as long as I remember, I was an actress since childhood. She was engaged in a drama circle in a real one. I got to the set at the age of 12. It seems to me that I have already passed my school on the site, communicating with large actors. And when I hear that I really do not have a special education ... And I do not have such a feeling, you can imagine.

It was a forced measure. I went to VGIK. Makarov and Skobtsev tried to listen to me. But in the USSR there was such a situation that if there was no national special group, then the National Cards did not accept there. And here I could not do it because I did not know the language sufficiently. And there was also a distinction at the theater institute - for admission to the national group you need to know the language, but representatives of indigenous nationality were not taken to Russians.

Some kind of garbage, now so conditional all over the world. There is such a thing. I had to go. I thought that the actress would not interfere with knowledge of literature. Or Sergey Bondarchuk. Although it could be. We know many stories. And when children-actors became good adult actors, and stories, when childish charm evaporated, and the grown psyche could not cope with this. Have you had difficulties in moving to adulthood, including related to star disease, with a change of peace around you?

Or did you gently pass this period? After the first picture, I had what is called "breaking". I could not be in another world, in the normal world - school, house, parents, classmates, yard children. I only wanted to the set. Fortunately, a new face appears. We will not say a “star”, as they often say now. Such an opening person. And they begin to tear you to pieces.

Each director is trying to get you to his picture. And here there are difficulties, because older heroines were offered, and it was not possible to add age or makeup. This is what I was worried about. And stellar disease ... I don’t even understand how quickly the young people become infected with it. Then it seemed to me that there was nothing special. Nothing has changed in life, except for my crazy love for what I touched and did not imagine my life without filming.

And everything went, went. It was very comfortable. I grew up, my heroines grew. Right now I experienced this scraper, somehow suddenly became a very adult. And it seems that I had not yet managed to play, but they already offer me the roles of adult women, mothers, grandmothers. By age, I can have it. Firstly, our guest today looks amazing. What grandchildren?

What grandmother? The camera is ruthless. It's like an x ​​-ray. Do not hide. You can immediately see how old you are. Up to 20 years, is a heroine, and everything that is older ... as if there are no adult women with their suffering or successes. Everything at once. Unfortunately. Nevertheless. Take your first role and your meeting with Abdullah Karsakbaev. What did he teach you?

Because there was nothing like that. It was a period of unconscious creativity. I am in the 7th grade. Summer holidays. I can hardly say. The most important thing for which I am grateful to him - he believed in me. I felt something in me. And only large directors can do this. Everyone told him: no! This is a child! He talked with me like a child. He showed me more how to play. It was funny.

For me, he already seemed an old man. As a mischievous girl jumps, squints her eyes. As you remember the cartoon - "Film, film, film." Probably, from the fact that I did not feel any resentment against the director, no dictatorship, pressure, maybe his strength and skill. I know that actresses really do not like to do this, all the more experienced. Now there are few directors who show.

Some directors and love can show. Now there are none.They show nothing at all, do not say. Well, of course, your husband is wonderful. In this regard, there are any possibilities. Nevertheless? I love Russian cinema because it is acting. Respectfully to the actor. And there are a lot of directors who can work with the actor.