Shuman detailed biography

Born in the year in Zvikkau Saxony, died in a year in a psychiatric hospital near Bonn. Carnival, Op. Download the file. The boy began to compose music very early and, under the influence of his father, devoted all his childhood to the development of musical and literary skills. Friedrich Shuman was sure that his son would continue to engage in books, therefore, having felt his talent for the artistic word, he tried to instill in love of writing.

Robert was read out by Jean by the field and Byron and delved into especially images of human feelings. This is probably why he chose romanticism as the main creative direction. Humor, op. From the age of seven, Schumann studied at the secondary school of Zvikkau. He was also given the lessons of general music and piano, but the boy preferred to work on compositions without the help of a mentor.

He often ignored musical principles, but this did not prevent him from creating amazing works. Schumann possessed a rare taste and talent to depict feelings and characteristic features in the melody, easily wrote out comic images - a kind of cartoon on close friends. Two years later, having visited the concert of the composer and pianist Ignets Mosheles, Robert even more established himself in his intention to become a composer and continued to improve in the game on the piano.

In addition, he showed interest in the works of Beethoven, Schubert, Mendelsson. After graduating from a gymnasium, Schumann entered the University of Leipzig, at the Faculty of Jurisprudence. The father insisted on this, Robert himself did not reach for jurisdiction - he devoted all his free time to compound and playing the piano. At the same time, he met with the famous music teacher Frederick Vick and was improved under his leadership.

Symphonic sketches, op. In the year, his father died, and four years later Robert threw the university so that nothing more distracts him from music. Creativity after Robert visited the Easter concert Niccolo Paganini in Frankfurt, he came to the conclusion that his whole life was the struggle "between music and law." With the permission of his mother, Shuman went to Leipzig, where he continued to take the lessons of the piano game from Friedrich Vika.

Alas, despite the assurances of the master, Schuman was not destined to become a virtuoso pianist. There are several versions, but everyone converges in one thing: Robert seriously damaged his finger on his right hand, which closed his path to completely possessing a keyboard instrument. Perhaps this happened due to the injury as a result of using the simulator: the wrist was fixed there, and the movements of the fingers made it difficult to straighten the springs.

Although, according to some experts, the use of the simulator, on the contrary, was to cure the involuntary contractions of the muscles of the hand. One way or another, Shuman abandoned his concert career and devoted himself entirely to the composition, starting to study the theory of music with Henry Dorn, a conductor of the Leipzig Opera. Fantasy, Op. In the year, Robert wrote his first criticism - an essay on the variations of Frederic Chopin on the topic from the opera of Mozart Don Juan, published in the "General Musical Newspaper".

Subsequently, at the junction of the literary and musical ideas of Schumann, “Papillons butterflies” were formed, so on. Butterflies, number 2, "Conclusion". In addition, Schuman began to release a “new music newspaper”, which he himself edited in the years. On its pages, he advocated the development of a new direction in music, which would be responsible for the aesthetic principles of romanticism.

It should be based on feelings, experiences, emotions. Being a respected musical critic, Robert Shuman drew the attention of the general public to the work of Johannes Brahms, lifting about young talent. In total, Shuman wrote more works for one voice with the piano, for example, “Mirts”, “Love and Life of a Woman” and many works for the piano “Brotherhood of David”, “Carnival”, “Symphonic Studies”, “Cruislerian”, “Night plays”; Overture to the "Messian bride", "Julia Caesar", "Herman and Dorothea"; concerts for piano and cello; oratorios "paradise and peri" and "pilgrimage of the rose"; Mass, “Requiem in Mignon”, 11 duets, 41 choirs, melodeckamation and music for the poem by Byron “Manfred” - one of the deepest works of Schumann.

Clara Shuman's personal life in girlhood - Vic; It is considered one of the outstanding pianists of the era of romanticism. She is also known as a teacher and composer. The girl grew up in a creative family: her mother was a concert singer and pianist, her father was a cantor in Planean, grandfather - a famous flutist and creator of this musical instrument. After the divorce, Clara’s father, Frederick Vic, devoted himself to her training.

The daughter’s musical talent was a great way for him to show his teacher’s talent: already at nine years old, the girl played in Leipzig, in the concert hall of Gevandhaus, and when it was eleven, her official solo debut took place. At the age of eight years, speaking in the house of Dr. Kara, Clara met Robert Schuman. He then lived in the Vick family for a whole year, studying Friedrich with the game on the piano.

Clara was delighted with the talent of the young man and his ability to compose music.Clara and Robert became close after eight years, but Friedrich Vick was categorically against their relationship: the eminent musician did not want his daughter to tied fate even with an ambitious, but poor composer, who was also unable to earn at piano concerts. At that moment, Schumann was already damaged by a finger, and he could not play.

Between the young people, a correspondence ensued, which was in every possible way the father of Clara. The girl was forced to write letters secretly.

In the year, young people were tired of hiding and filed a complaint with Leipzig's court in order to oblige Frederick to give consent to marriage. In honor of the wedding, Clara received as a gift a cycle of romantic songs “Mirts”. Mirts, Op. In marriage, she continued the concert activity, which annoyed Robert. Despite this, Clara still performed: the income from her concerts was a significant share in the income of the family, and the performance of Schuman's works made him a popular composer.

Despite frequent performances and a bright musical career, Clara gave birth to eight children. Clara also composed music, but Robert did not approve of his wife’s work: her works seemed to him too frivolous and simple, and he demanded the maximum resemblance to his own work. Subsequently, critics could hardly determine which works of whom were written. Clara all her life sought to popularize her husband’s work, was one of the main performers of the work written by the Schuman.

The cultural heritage during the time of Robert Schumann appreciated, first of all, the virtuosity of execution, and not the filling or features of the construction of a musical work. The composer managed to create deep, emotionally rich works that reflect his inner world. At times, melancholy and thoughtful, sometimes passionate and bright, Robert Shuman reflected in music the whole diversity of his personality.

And although he has many large works, romances and piano things, separate or collected in suits, connected by thematically or general content, are of the greatest importance. Album sheets, op. The innovation of Schumann made it possible to subordinate the form to the poetic image, harmony and melodies. His rhythm is peculiar: sometimes everything seems to freeze, and sometimes explodes with the fireworks of surprises.

Romanticism permeates all the works of Schuman. It is felt in bright romantic plots, and in the passion of the presentation, and in the subjectivity of reflection of oneself, heroes, nature. Morning songs, op. Even critical articles did not escape the influence of the author’s romantic nature: leading a polemic with himself in his newspaper, Shuman created two opposite images - an ardent Floretan and a much more calm, even melancholy evesebium.

Readers did not know for a long time that one person was hiding behind two pseudonyms. In addition, Schumann spoke about the secret “Brotherhood of David”, to check the fruit of his fantasy. Today, Robert Schumann is the international competition of German academic music and music prize, established by the Mary of Zvikkau. The reward is traditionally occurs on June 8, on the composer's birthday.

These events are attended by musicians, conductors and musicologists, who made a significant contribution to the popularization of Schumann's work. Robert Shuman was buried in the old cemetery in Bonn, in the year. Later, in the year, Clara was also buried there. List of used literature: Ambros A. Robert Shuman. Serova; [Textol. Zhytomyr D. Robert Schuman: an essay on life and creativity.

Kochetov N.