Vishnyakov biography

In Addition to the Vishnyakov Portraits Painted Pictures on Relygious Themes.

Vishnyakov - Master of PSYCHOLOGICAL CHARACTERISTICS. He Carefully Examines and Subtly Conveys The Faces of His Characters. Vishnyakov Was a Pupil of L. Caravaque, French Painter, Invited by Peter The Great in Russia. In the s he worked in the "Picturesque" office of the Buildings unders the guidance of A. Matveev, Which Place Was Taken After His Premature Death in From The Extendance Heritage Vishnyakov Reached us only lands.

The Work of Ivan Yakovlevich Vishnyakov Associated with St. Petersburg, What He Arrive Among the "Artisans" Involved in the Construction and Decoration of the New Capital. In Contrast to HIS Older Contemporaries I. Nikitin and A. Matveyev Vishnyakov DID Not Study Abroad - HIS ART FORMED Under the Influence School of Painting Of the Pre-Petrine Time. In Twenty-Eight Years he has the Rank of "Molar" Scenic an Apprentice.

Subsequently He Receved the Title of Master of "Writing Icons and Portraits". For many years vishnyakov Headed "The Beautiful Team" Office of the Buildings, of a Public Institute that was in charge of the XVIII Century Construction and Decoration of Palaces and Churches of St. Petersburg and Its Suburbs. As the Master of "Beautiful Teams" Vishnyakov Played the Image of the Church Decoats for the Court Theater, Ceiling and Painting.

However, There Is Evidence that All of this, He Preferred Portrait Painting. HIS Teacher and Elder Brother in the Shop Louis Caravaque Was Talking ABOUT A Young Vishnyakova to the "Especially of Those Whita Witral Person". Vishnyakov Has Been Recognized, Mainly, AS A Portraitist. Refinement of the Image, Warmth of Sentiment, No Frills, Silver Colours are the Characteristic Features of His Artistic Style.

Vishnyakova, This Monumental Dates Back to the Ancient Tradition, While the Elegance, Sophistication Decoating Show Great Command in European Art. The Harmonious Blend of All these Qualites Makes Ivan Yakovlevich Vishnyakov One of the Most Brilliant Artists of this Complicated Time in Art, Which Appedared in Russia in the Middle of the XVIII "Vishnyakov - Master of Psychological Characteristics.

But the Costimes that Wear these Amazing Costures of the XVIII Century, With Their Fabrics of Different Colors and Textures, with Their Subtle Embroiders and Laces, Laces, Laces, Laces, Patterns, and Pleating Creates a Sophisticated and Elegant Rhythm, Important for Vishnyakova-Painter, No Less. Painting Them, He can Fully Realize Their Coloristic and Decoating Gift.

EVEN HANDS THAT ARA SO IMPortant to Most Portraitists, Offten Become, He Wold Like the Elements of a Suit, Subject to the General Rhythm, Hiding in the Folds. This Combination of Volume and Written to the Head and the Few More Flat and Decoating Treatment of A Jeweled Outfit, Serving Most of the Dark BackRound Gives the Portraits Vishnyakova Special Charm.

He is One of Those Rare, Usually Born in the Transitional Era, Artists in the Art Whose Subten Master Connected with Naivete, and Sophistic - with the immediacyke of perception. So he CREATED THE IMAGE of Sarah Fermor - Dressed in "Adult" Dress a Charming Girl with Disproportionatly Long Arms - Has Become a Symbol OF ALL RUSSIAN Art of the Mid-Eighteenth Century.