Biography of Anastasia Sapozhnikova

MBN "The true heads of houses in the musical are women. Strong, cruel to enemies, forced to hide true feelings. Unfortunately, the performer of the role of Lady Montecca, Karina Ovsepyan, succumbed to the temptation to give her heroine as a absurd and hysterical woman with the bargains of the market trading. More interesting images of both ladies Capuletti.

Anastasia Pozhzhnikova plays A secular lioness, frivolous and empty, it is felt that her husband has become a couple of horns for her life: how she appears to get any doubt about this, the main thing is to be a matter of this, the main thing is to shine, conquer, live for her pleasure. The correspondent of the REMOLGA Nastya game in the musical "Romeo and Juliet", do not be shy!

the most unexpected turns. Anastasia was born in Kazakhstan, in the glorious city of Chimkent on July 6. She spent her childhood in her native places, but his inner voice called her to Odessa to study, study and study again. All the same voice called for the development of numerous talents, including dance.

In Odessa, Nastya graduated from school and a choreographic school, and having the opportunity to leave for Israel or the USA with some Odessa classmate as all normal people, Nastya decided to listen to the voice of her heart, who had given her sensible advice more than once. Anastasia went to Moscow to enter the theater institute and immediately faced an unexpected problem.

It was affected by a long stay in Ukraine - Nastya received a strong Odessa dialect, because of which they did not want to take her for a long time at any Moscow Institute but will you really go against talent! Khomsky, where during training she participated in the rock - the opera "Jesus Christ - Superstar." At the end of the institute, our heroine was invited to the theater "School of the Modern Play", where he plays to this day, in the play "And what are you in a tailcoat?

However, the Metro musical really tied it to the theater, which, like from the sky, fell on the heads of the Moscow theater-goers. I came at the very beginning of the selection. It was terribly: the empty room of the Operetta TV, the curtain is closed, the microphone is standing, you go there alone and sing Sasha Golubev, the artist of the Opetta TV, admitted that he had a real mandrake before listening!

That selection I passed. Then we sang with Derov, then all together, and finally: the already open scene of the Opettta, on it, the contestants are two hundred people; Yanush Yuzefovich did not see me point blank, as if transparent, although I stood in a yellow T -shirt - brighter than anyone! I noticed when there were five people left. And everyone basically sang a song from the Metro - "Life is a cage." I say: “I will sing folk.

And she sang so that she was tanting! In the ovation hall, Janusz, you want to focus on me, will I read you a verse? Then the composer Yanush Stoklos pulled me to the piano, gave me intervals - I never had problems with them, my hearing is excellent, and then he says: okay, go to the hall. I came in and sat down - well, just dead! And then nothing depended on anyone. We sang “Christmas” from the performance, separately and all together, listened to how the voices converge - they don’t converge, how anyone remembers music, the casting was on the movement, well, for me it was nonsense, I studied at a ballet school.

We have already met each other, and here we are collected again, all exhausted by constant listening, selection and they say: tell us about ourselves. I think: Lord, again! I go out and say: “I'll sing a song to you now. She sang something so compassionate, long, took a plastic bottle and played on it, as if on a balalaika. After that, there was a meeting in the ballet hall and, finally, they sentenced the sentence: they took me.

And I can’t say that I experienced a special sense of joy from this. It’s just that at that time I was so exhausted that I didn’t care if I would work in the “metro” or not. The musical "Metro" gave Nastya a lot: the love of the audience, the glory, but what is much more important, experience. Experience, which was subsequently useful in other works, including in the Istuzkskiy Beds, in the theater of the film actor.

In this overseas musical, Anastasia played for about a year and left without waiting for the closure - "Frankly, this performance does not cause me such living emotions as" Romeo and Juliet ", and in music, and there were very complex reptitions." The premiere of the musical "Romeo and Juliet", where she plays to this day, was held on the stage of the Moscow Academic Theater Operetta on May 20.

It’s even difficult now to clearly say in words, something like that ... This is rather some kind of energy sensation.Somehow everything lay there: a suit, a hairstyle, and all accessories, they only complemented, and all this, perhaps, even for the first time in my life, that all the time-and, like a mosaic, it formed from small pieces. Therefore, she learned to sing in a jazz studio, in the theater, from teachers, except that she did not reach the conservatory.

Anastasia also works on the radio and sometimes a model, is shot in the cinema: behind her shoulders, work in the films of A. Gordon, including in the project “Shepherd of its cows”, released in Russian rental in the year, the role of Nastya in the cult “Boomer” and small, but bright work in the series shot based on the works of Daria Dontsova. He knows English well, Hungarian and Ukrainian, badly - French.

He admits that he loves to watch horror films. The character is wonderful, like everyone else who is on their minds. Gogol reads too much, sometimes laughs. In no other cases, does not laugh.