Biography of Zolotarev Vladislav

Try the literature selection service. You can always turn off the advertisement. The text of the scientific work on the topic “Phenomenon of“ tragic ”in the life and work of Vl. Scientific adviser - candidate of art history, associate professor N. Niko, the article is devoted to the work of the domestic composer of the second half of the 20th century. Vladislav Zolotarev, he is an innovator in the field of bayan art, the founder of the original repertoire for the multi-plane-chopped bayan.

The originality of the composer's works lies in the versatility of their figurative content. Semantically stable spheres of “elevated” and “tragic” characterize both the musical works of Zolotarev and his literary opuses. The article discusses artistic means reflecting the aesthetic-philosophical foundations of the work of Vl. Keywords: phenomenon, tragic, music, multi -plane button accordion, creativity, composer.

The Article is devoted to the Creative Work of Vladislav Zolotaryov, The Russian Composer of the Second Half of the 20th Century. He is Recognized as a Pioneer in the Bayan Art and Founder of the Original Repertoire for a Multimbral Bayan. The Article Covers the Artistic Means that Reflect the Aesthetic and Philosophical Bases of VL. Key Words: Phenomenon, Tragic, Music, Multimbral Bayan, Creative Work, Composer.

The life of Vladislav Zolotarev, who would be 66 years old today, ended early and tragically. It was filled with many discrepancies in the “desired” and “real”, marked with high spiritual thoughts and pain of disappointment. His work, born “at the behest of the heart” 1, did not coincide in many respects with the existing stamps of Soviet art, avoided plots imposed by the ideology.

In one of the “Diaries”, Vladislav reveals his creative attitude: “Everywhere you can only hear, to chant the exploits of the raising of virgin lands, construction, and the village. Why the hell I need it! I want real music! So that she worries a person, makes her think, laugh, cry! Talking about his place in the world and about the artist’s heavy share at one time, Vladislav wrote about the growing sense of “the lost human personality, noble and high in his aspiration” 3.

The work of composer Vladislav Zolotarev was not appreciated during his lifetime. Moreover, for some time he was reckoned with the group of “forbidden”, “non-imperial” composers, since in some works he touched on religious themes, applied an officially disadvantageous of the pre-Decapon method of essay and caused the indignation of the older generation of the novelty of his own compositions and bold finds in the fields of playing button accordions.

The linden in the article “Two Afishi for one concert” 4 writes about the ban on the concert of the memory of Vl. On May 13, Zolotareva, in his work “Vladislav Zolotarev, it seems that it was yesterday - 4” set the history of the publication of the monographic article about the work of Zolotarev, delayed by the forces of the reviewers for 8 years from the G., the composer's diary entries that appeared on the Internet give a reason to talk about the rare impression and vulnerability of Vladislav’s nature.

The special mental organization of Zolotarev was literally noted by all the composers close and acquaintances. So, for example, Friedrich Lip is shared by memories: “Over the four and a half years of our friend, I have formed a fear syndrome for its presence on this sinful land, no matter how highly the parish sounds. He was too easily in kind, as if without skin, naked nerve.

It seemed to me that this is an alien from space, who came to us for a certain mission, after which he would leave us. I constantly had a feeling in which I was afraid to even admit to myself that I could lose it ”6. Zolotarev really very sharply experienced failures and defeats. The first strong blow was the failure of the Moscow State Consumer -Toria in the summer of G.

Second - the departure from the conservatory in the summer of G. was the third blow to the personal drama of Zolotarev: the collapse of the family and life alone. The feeling of inferiority of their own vocational education was constantly burdened by Vl. Zolotareva, did not give him rest. The letters and diaries of Vladislav reflect the experiences associated with the lack of professional knowledge and skills.

In some statements of the composer, the notes of despair are heard: “As I recall my lack of education, so every hunt disappears to live” 1. Similar self -abiding statements of Vl. Zolotarev was caused by a constant desire for self -improvement and high requirements for himself. At the same time, reputable cometers spoke positively about Zolotarev’s music. His works were highly appreciated by Rodion Shchedrin, with whom warm relations were established after.

I was pleased with the young musician and the review of D. Shostakovich, who, after listening to the I, the “chamber symphony” of the novice author, noted: “This is good music” 8. They were looking forward to the new original opuses of Vladislav for a multi-plane and outlet button accordion.Some works were written by the composer to order. For example, “Spaniada Spanish Rhapsody” was created at the request of F.

The most important source of creative inspiration was for Vl. Zolotareva Love is “bright and joyful”, but causing a lot of suffering. In the “impromptu” Vladislav outlined his understanding of this feeling: “Love is not admiration and pleasure. Love is suffering ”9. The power of love gave life to many literary works, among which “25 unpertured letters letters to your beloved”, “Literary fantasy”.

But family happiness did not last long. One of the reasons for the collapse of the family was a pliable financial situation. In a letter to a friend, Vladislav reveals the sad facts of his life: “The web of my debts is divided into all smaller and intricate patterns, and the network of my income does not catch large fish in any way, although it is made from beautiful material” in the poems of Zolotarev, love is associated with the circle of images of light, elevated and clean candle, church, music.

The moment of parting with his beloved is likened to gradual immersion in the darkness: “Dusk is thickened”, “soon midnight”, “The last surge of the candles”. In one of the letters to F. Lips, Zolotarev compared his love to the “drowned man”, who “it is impossible to return to life” the feeling of proximity of death often arises when reading the love lyrics of Vladislav, where the image of the extinguished candle occurs, the ringing of a burial bell is mentioned.

Differing in great performance, Zolotarev could not leave the house, immersed in the process of essay for days. At such moments, in the literal and figurative sense, he fenced off from the outside world, covering the windows with dense curtains, working with candles. In the recent letters and diary records of the composer, the feeling of loneliness is further intensified: “I have never suffered anywhere in anywhere and can not find peace in Zolotarev’s rest, not only in the feeling of his own loneliness and“ lost ”in the world.

His statements also can be traced on a conscious sacrifice: “The goal, only it, damned, pushes me to this joyless life” The goal for the composer, of course, was serving music, creativity, and butterfly art. I have long stopped striving to happiness. I strive only for my work. Lipa suggested that Jack London Roman “Martin Eden” made a huge impact on Vladislav. The story of a twenty -four -year -old writer - an unrequitedly in love, absorbed in the goal of achieving perfection in a professional plan and, as a result of a disappointed, lost taste for life, turned out to be a consonant of the biographical situation of Zolotarev.

Composing the score of the “dramatic poem” for Alta and the Martin Eden Chamber Orchestra, Vladislav wrote to his friend: “I can’t express you how I fell in love with this image! How much my strength spent on him, tears, in what state my soul was ”the growing feeling of inconsolable longing and the appearance of an“ otherworldly mood ”suggested thoughts about the meaning of life, the purpose of their own existence, about death.

Attentive acquaintance with poems and letters of Vl. Zolotareva leaves the impression that he was waiting for his death, desperately preparing for her, trying to catch as much as possible in his life, and mentally buried himself many times. The following lines can be proof: “We must rush