Biography Beethoven Synopsis

Ludwig Beethoven - Biography Ludwig Van Beethoven - one of the most ingenious composers, conductor, pianist. He is considered the last representative of the Vienna School of Classicism. He wrote music, which forces to cry and laugh, take off and fall down rapidly. It inspires and inspires, gives hope that in life it is possible to achieve everything, even the most incredible.

She has been listened to for more than two centuries and will listen forever, this music is immortal, like its author - Ludwig Van Beethoven. His works cannot be limited by the framework of any one direction, in them romanticism is combined with classicism, in them the entire composer and his ingenious personality. Childhood was born Ludwig Van Beethoven on December 16 in the German city of Bonn.

The boy was baptized the next day. The father of the newborn was called Johann Beethoven, he is a singer, tenor in the court chapel. Mom, Maria-Magdalene Beethoven in the girlishness of Kevierich. Her father served as a court chef in Koblents. They got married in the year. The grandfather of the future composer - Ludwig Beethoven, was the singer of the same chapel as his son Johann, then took the position of dropmaster in her.

Ludwig's childhood was more unhappy than happy. Father drank a lot, so there was a catastrophically lacked money even for the simplest things. Ludwig's room was located in the attic, it was so small that it barely found a place for an iron bed and an old harpsichord. The drunk father beat his wife with a mortal battle in unconsciousness, often fell down Ludwig. Maria felt sorry for her son, tried to somehow make his life easier, spent a lot of time with him, often sang uncomplicated songs for him.

In childhood, the portrait of Beethoven in childhood manifested themselves in Ludwig in early childhood, and this did not slip away from the attention of his father. In those years, the name of Amadeus Mozart thundered everywhere, and his father decided to make his son an even more successful musician than a famous composer. He forced Ludwig for many hours to sit at the piano and exercise the game on the violin.

To understand how much his son is gifted, Johann put him at the same time for five instruments - harpsichord, organ, violin, alt and flute. The boy spent many hours after making music, if he was mistaken somewhere, he was immediately beaten and spat. Father hired teachers for his son, but they did not differ in special talent and could not give him normal knowledge and skills.

Father made all his strength so that Ludwig began to begin concert activities as soon as possible, hoping for generous fees. Johann turned to the archbishop to increase his salaries, and in return promised to bring a talented boy to his chapel. However, the family’s income did not increase from this, the father spent all the money on a drink. The creative biography of Ludwig Van Beethoven began at 6 years old when he performed with a concert in Cologne.

However, his fee was more than modest. Mom supported her son as she could, and it was thanks to her that the first notes of his improvisations appeared. Nature gave this child an incredible talent, but it developed painfully and difficult. Beethoven simply plunged into the music he created, and often was in a state of complete detachment from the outside world. In the post of director of the court chapel, Christian Gottloba took, who undertook to train Ludwig.

He saw that his student was incredibly gifted, and realized that such a talent should be developed. In order for the development of the boy to be as complete as possible, he introduces him to literature, ancient languages ​​and philosophy. Beethoven literally fell in love with Goethe, Schiller, Shakespeare, he listens to Handel and Bach for hours and dreams of someday to work with the famous Mozart.

In Vienna, which was then considered the musical capital of Europe, the young man was in metro that met the idol - Wolfgang Mozart. Hearing how Beethoven improvises, Mozart was delighted, and told everyone not to take his eyes off this boy, and that soon his name would know the whole world. Ludwig asked the maestro to give him several lessons, but was forced to leave because his mother seriously fell ill.

After his mother’s funeral, Ludwig felt complete despair and hopelessness. This did not contribute to the further development of creativity, he had to think about how to feed two younger brothers, and how to cope with the drunken antics of dad. Ludwig turned to the prince and asked him to allocate money to the family. He did not refuse, and the family began to receive a contentment of the size of thalers.

The neighbors mocked him, but Ludwig tried not to pay attention to it, he promised himself to get out of this poverty and earn his talent. In Bonn, the talented young man found patrons, thanks to whom he could be free at music meetings and visit the salons. It was a Breining family, whose daughter, Lorchen, Ludwig taught music. Beethoven was so grateful to him that he maintained relations with them until the end of his days, especially with Lorchen and her husband Dr.

Vehler. Music in M ​​Ludwig went to Vienna, where he immediately met the philanthropists.To improve his musical technology, he asked Joseph Haydn to listen to his works. They did not succeed in normal relations, Haydn did not like the obstinate character of the student. Beethoven had to turn to Schenk and Albrechtsberger. Improving the vocal letter took place under the leadership of Antonio Salieri, thanks to which the young man met titled persons and professional musicians.

Ludwig Van Beethoven plays the piano a year later, Beethoven writes the musical accompaniment on the “ode of joy” by Schiller, which he wrote for the Masonic box in m. Then Ludwig changes the anthem several times until he achieves his triumphal sound. He introduced the final version of the symphony to the public in M, and it caused an incredible delight. A little time passed, and Ludwig turned into the most fashionable pianist Vienna.

In m, he made his debut in the cabin, where he performed with three piano trio and three sonatas that he wrote. The audience was fascinated by temperament, rich in the imagination and depth of his feelings. Three years later, the composer’s life begins to change. He develops tinnitus, gradually, but confidently, not giving any chance of recovery. Ludwig managed to hide his illness for ten years.

He behaved so that others did not suspect developing deafness. He often answered out of place or stipulated, but everyone believed that it was just eccentricity of a talented maestro. In the year, Beethoven wrote a testament that he addressed his brothers, and ordered him to read it only after death. He often corresponds to music with Dr. Wiegler, and in one of the letters he wrote that he was not going to give up.

He put all the thirst for life in the “second symphony” and three violin sonatas. The composer understands that he will soon lose his hearing, so he is pounced to work. In M Beethoven creates a “pastoral symphony”, consisting of 5 parts. She occupies a special place in his life and work. For relaxation, Ludwig often chose distant villages, visited nature, and thought new music there.

He called the fourth of this symphony “Thunderstorm. He manages to accurately convey all the power of the elements with the help of thrombons, piano and flute. In M, the Directorate of the City Theater asked Beethoven to write music for the drama of Goethe Egmont. He was a fan of the writer’s work, so he decided not to take a monetary reward for his work. He wrote music during theatrical rehearsals.

One of the actresses - Anthony Adamberger decided to joke over him and said that she was completely absent from singing talent, but immediately laughed and masterfully sang the aria. Beethoven did not like this joke, he said that since she knows how to sing, he will go to write these songs. In years, Ludwig can no longer work in full force, he stalls completely.

However, in this position it does not give up. In order to “hear” notes, he uses a thin wooden stick. One tip of the wand is clamped in his teeth, he sets the second on the front of the tool. During the vibration, the composer feels how the tool sounds. In the works created during these years, depth, tragedy and philosophical meaning are felt. They become classic for all times.

They may be familiar.