Biography Actor Dogilev

St. Petersburg 2nd Krasnoarmeyskaya St. The most striking roles in the cinema are the swimmer of Sveta Popov in the Pokrovsky Gate, the head of the vegetable department of Nadia in the “blonde around the corner”, the nurse Lida in the “forgotten melody for the flute”. For the creation of the image of Katya in the military drama, the Afghan Broke was awarded the prize for the best female role at the Kinotavr Film Festival.

In the photo: Tatyana Dogilev’s life was not cloudless: she survived her husband’s betrayal, the death of her parents and brother, depression, alcoholism and a strong weight gain. However, she coped with all the difficulties and again loudly declared herself. So, in the year she played Zoya Alexandrovna in the comedy series “Cursed Days” about people during the period of self -isolation and flashed in the “Vampires of the Middle Strip” detective, and in the year in the comedy series “Magic Plot”.

Childhood, youth, family Tatyana was born on February 27 in the family of Anna and Anatoly Dogilevs from Moscow. At that time, her parents were already raising her five -year -old brother Volodya. The boy was disabled from birth - his legs were curved, and he could only walk on crutches, and then with difficulty. It was he who insisted that his sister be called Tanya, because he loved the song “Ah, Tanya, Tanya” from “Carnival Night”.

Anna Afanasyevna and Anatoly Mikhailovich were simple hard workers, worked at the flour mill, lived rather poorly, although the official agenda claimed that "there were no poor in the USSR." Years later, the actress will tell you how she was afraid to repeat the fate of her parents. Impressive and dreamy Tanya wanted to see the world, to be able to travel. And she was sent on vacation either to the pioneer camp or to her mother’s sister Aunt Klava to the family of the family in the Voroshilovgrad region.

But studying at the school at the Academy of Pedagogical Sciences once gave her the opportunity to visit abroad. After the ninth grade, Tanya went to Czechoslovakia: our school was friends with the Eugen Gucher gymnasium in the city of Nitra. Two best students from the class were selected on the trip, and I turned out to be one of them. The abroad at that time was something unreal for us-it was not very believed that it exists at all.

Nitra is a small industrial town with a provincial way. Slovak peers arranged concerts, invited to their home, where they covered beautiful delicious tables. The actress with a smile remembered with what horror they first drank Coca-Cola, which they heard a lot about, but never tried. With horror, because they were sure that they must be intoxicated from this drink. Arriving from Czechoslovakia, Dogileva continued to classes in the studio of a young actor under central television.

She actively starred in various programs, interviewed Marshal Ivan Bagramyan and writer Anatoly Alexin. But she was never included in the lists of those who were recommended for admission to a theater university. The head of the studio told her that her appearance is complicated, which is not suitable for the theater or for the cinema. Tatyana Dogilev in her youth and now, but Tanya read too many smart books in childhood, which always said that the main thing in a woman is not external beauty, but willpower, determination and other qualities of a person strong in spirit.

She sincerely believed that it is so and her diasteme is a large gap between the upper front teeth would not be an obstacle to admission to the theater institute. But of all universities, Dogilev was led out on the first round. Tatyana Dogileva about entering the theater universities, the monologue "Lioness". And together with colleagues, he recommended that they seek orthodontist, since "the artist cannot have such a defect." The whole first year Tatyana “walked with a piece of iron on my teeth”, but she was engaged in stage speech.

But as soon as the device was removed, she began to whisper monstrously, and had to retrain again. In his student years, Tatyana Dogilev, along with Dogileva, studied Yuri Stoyanov and Viktor Sukhorukov, with whom Tanya created sketches and comprehended the wisdom of acting with Vsevolod Ostalsky. The diploma performance, with which Dogilev was released from the institute, was the production of “A lot of noise from nothing”, where she had the role of Beatrice.

The performance was so successful that Tatyana spoke about him and the role in theatrical circles. Dogileva began to be interested in for a reason, just at that time, many theaters took a new play by Alexei Arbuzov “Cruel Games” for staging and looking for a beginner actress for the main role of the provincial girl Nelly. Tatyana Dogilev and Alexander Abdulov Tatyana were lucky, she saw the main character of this play.

She has not yet received a diploma, but already began to rehearse a new performance on the stage of the Lenkom. The GITIS graduate also went to the BDT, because at that time the Tovstonogov Theater was considered one of the best dramatic, but she was offered a role in the cinema, because of which cooperation with this theater did not take place, although the artistic director invited her to come to them next year.

But fate made its adjustments to the career of Dogileva. The theater and cinema in the year, having graduated from the university, became the actress of the Lenkom Theater.Then she played the debut main role of Nina Babytseva in the youth melodrama "Stone passenger". In the same year, the artist starred in the film “Late Meeting” with Alexei Batalov in the same year. As Tatyana admitted, herself did not like her in any of the roles and was very surprised that she was invited to filming.

Tatyana Dogilev and Alexei Batalov in the “late meeting” in the year on TV screens appeared the Helled Elsa Television Pepper, in which Dogileva perfectly completed the role of the main character. Tatyana Dogileva in his youth then the actress came to the set to Eldar Ryazanov, who shot the “Station for two”. Against the backdrop of the main characters, who were played by the famous throughout the country Oleg Basilashvili, Lyudmila Gurchenko, Nikita Mikhalkov, her Marina, the “Intourist” on duty, could have been lost.

But Dogilev was so vividly explained with what difficult she got the “this position” and her doubts about the two suitors that the audience perfectly remembered her heroine along with the hero of Alexander Shirvindt, the musician of the forecourt restaurant Shurik. The frame from the film “Station for Two” in the same year with Tatyana’s participation was released by Mikhail Kozakov’s musical comedy “Pokrovsky Gate”.

The image of Svetlana, the swimmers of the Society "Labor Reserves", was so successful that Dogilev began to be invited to the cinema more and more often. Only in the year six paintings were released, in which the actress played, although not the main, but memorable roles. In the last comedy, she went to the set with such cinema masters as Lev Durov, Yuri Bogatyrev, Alexander Kalyagin.

Tatyana brought true fame and fame for the whole of the USSR the main role of hope in the satirical tragicomedy of Vladimir Bortko “Blonde around the corner”, where she starred with the legendary Andrei Mironov. Dogileva, as Evdoxia Kukushina, the actress considered an invitation to this picture a mystical sign. The director’s father saw on TV a grenada television pepper, where Tatyana played.

And since he knew that his son was preparing to launch the filming of the film, he called him. It was not so easy for them to find Dugilev, but, to my happiness, they still found me. It was after the “blonde around the corner” that they began to recognize me on the streets and most importantly - to let me go to the restaurant of the house of the cinema. In order to get there, a membership ticket of the Union of Cinematographers was required.

I remember my euphoria when I first stepped over the threshold of this restaurant. Young Bulgarian documentaries arrived in Moscow then, and for some reason Pavel Lungin helped them, they attracted me to all this. ” When Pavel invited Tatyana to go to the cinema house to a meeting of the scriptwriters section, she happily agreed, later describing her sensations from the first visit: “We walked with the Lungin in the restaurant, between these cynical, smoking and drinking geniuses, and I was in puppy delight.

In terms of the scale of emotions, it is comparable only with the campaign to the exhibition of the tomb of Tutankhamun, who was brought to Moscow a few years before. Since then, the playwright community has completely captivated me. ” In the year, Dogilev left Lenkom and moved to the troupe of the Maria Ermolova Theater. In this theater, she managed to work with director Valery Fokin in the productions “Speak!

Further, Tatyana appeared as a prostitute of Maria in the play “Our Decameron”. He was set by Roman Viktuk based on the play by Edward Radzinsky. A piercing and honest love story of a married official brilliantly embodied him on the screen Leonid Filatov and a nurse from the main free time management did not leave indifferent a single spectator. Her second stay in one of the episodes “what my mother gave birth to” caused indignation: not only did it “destroy the cell of society”, but also such a shameless!

But as time has shown, the film became a decoration of domestic cinema, like other paintings by Eldar Ryazanov. The end of the eighties was marked for Dogilev’s first work as a theater director. She staged the play “Moonlight, honeymoon”, relying on the play by Noel Kauard “Private Life”. Soon two more performances appeared with her directing - “They will not renounce loving ...” and “Moscow passions”.

Despite criticism, many praised Tatyana, but she herself remained unhappy with work and decided to switch to directing in the cinema. But she did not succeed immediately. The nineties began for the actress with filming in the social drama according to the work of the same name by Alexander Kuprin "Yama". In the film, she played the main character, a fatal criminal Tamara, whom fate entered into a brothel.

The frame from the film “Yama” Further Tatyana starred in the military drama “Afghan Back” along with the Italian actor Michele Plachido, who was at the peak of popularity in the USSR after the appearance of the SKRUT ”television series. Katya from the "Afghan Frock" with the beginning of the two thousand years of Dogilev began to appear more and more often in television series.

In the world of criminal passions ”, Varvara Stepanovna in the Death of the Empire.The main role, a single mother Lyuba Orlov, the actress played in the comedy series “Lyuba, Children and the Plant ...”, then was Zinaida Moroz in the rank of colonel from the AntiDur militant. The bright image of the teacher Tatyana Titova created Dogilev in the melodrama of “Bomzhikha”.

Her partner in the film was Yuri Belyaev, who played a businessman who came to a housekeeper, the heroine of the actress came to settle down. The frame from the series “Lyuba, the children and the plant, she arrived at the uninhabited island a week later than the rest of the participants, so she appears only in the third issue. Rumors went that Dogilev had encouraged her husband's problems to this decision.

Dogileva lived on the island for 10 days, which seemed to her to be a hell. She wanted to find harmony, and in the end she almost received a nervous breakdown and quarreled with Dana Borisova. Tatyana Dogileva twice participated in the “Last Hero”, however, in the year Tatyana repeated this experience, taking part in the filming of the fifth season of the “Last Hero”.

This time she lasted 2 weeks and, as she said later, "was glad that she had carried her legs in time." But when a few years later the journalists asked the actress, she would go to the island again, she answered without hesitation: “I would go! In the year, the actress nevertheless decided on the directorial work in the cinema, having removed the drama "Lera" in just two weeks.

In the year, the actress took part in the show "Dancing with the Stars", but flew out after the third issue. The new artistic director Oleg Menshikov, her friend and godfather, said that those who have not entered the stage could not receive a salary in the theater. Tatyana wrote a dismissal statement and gave several unpleasant interviews, accusing a new artistic director of star disease and snobbery.

The actress continued to act in the series, playing mainly mothers or theunts of the main characters and heroines, although they were all memorable characters, such as Antonina, the mother -in -law of the main character, from the drama “An ordinary woman, she starred in the full -length drama of Kirill Pletnev“ Burn! Shot from the movie "Burn!